Entries from April 2009
Claire Barclay Openwide
7 February – 12 April 2009
This solo show presented a range of work by Barclay. Recognisable pieces from the past, reconfigured along side newly commissioned site specific pieces.
Highly crafted sculptural objects narrate the artists story, her language. Her work typically manifests as a sculptural form, which are then juxtaposed with props, found objects, fabric, turned wood …..
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Categories: Seminars
Tagged: Clare Barclay, linear, sculptural
movement seminar? interesting. Honestly I am getting to old to care about what I look like in such strange situations – I enjoyed it but if this continues I will have to reconsider the course!
The feelings embedded in a work of art can be regarded as the product of an inverse function of the properties of the brain mechanisms that give rise to these feelings: y = f(x). x=f-1(y) Ivar Hagendoorn
I like it, don’t know what it means but I like it …..
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Categories: Seminars
Tagged: dance, Ivar Hagendoorn, Janice Parker, movement

Swiss curator HANS ULRICH OBRIST
Categories: Personal Project
For the purpose of my MFA personal research and development the documentation of the initial process of the following proposal will be the outcome. This process will continue to inform the project that will culminate into an exhibition between February – April 2010. The initial documentation is intended to examine a process of creating and curating visual art following a free and open source ideology and put this new away of thinking to the test.
Both nationally and internationally it is becoming more commonplace to apply the term Open Source to contemporary art practice. It is thought that this ideological way of working is the way forward in order for the processes used by artists and curators to become more transparent and reveal the creative and cultural processes, which can be often concealed once an exhibition reverts to a more conventional mode of presentation. However artists and curators argue that their art practice already subscribes to a non-hierarchical and open way of working where they engage in a collaborative process sharing their ideas in order to move them forward. It is therefore an ideal time to test this more open type of thinking and working, in order to critique our current frameworks for the production of art and how we present it.
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Categories: Personal Project
• Series of interviews – how people see me (video)
• Open Curating & Creating – new work and exhibition that critically examines the growing relationship between Free Software ideology, open content, visual artists and curatorial practice. (exhibition process)
• Curatorial Experiment – In search of the Superstar Curator (Exhibition/performance )
• Conversations with the international superstar curator (publication- see thesis) process of reconfiguration for analysis
Thesis
The Curators Cathedral needs F/OSSing
(According to the Bazaar)
In conversation with Olav Henriksen
Based on musings about Chris Kraus, Hans Ulrich Obrist, Francis Mckee, Olga Goriunova, Armin Medosch. Conversations with artists and programmers, my experience, a collection of a certain art publication from the year 2005, and the ideologies of free and open source.
Categories: Personal Project
Tagged: art, Francis Mckee, Hans Ulrich Obrist, Olga Goriunova, Open Curating
I was invited to take part in a PACT workshop (Promoting art and creative industries collaboration). This imagination.lab was initiated to inform a larger research paper looking at the collaborative partnerships between arts and creative industries. This pilot study, funded by the AHRC, in particular looks at the collaborative technologies used to facilitate synergy between art, creative industries, the community and the academy in ‘creative hubs’. The study investigates the new possibilities for collaboration that CSCW approaches to design would be able to develop.

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Categories: Seminars

“I propose to write proposals”
Categories: Seminars
Tagged: Peter Liversidge
seminar with Joanne Tatham & Tom O’Sullivan
The performance of sculpture is when the work goes beyond the performance of its material and performs within its place. When it starts to have a conversation with its environment, with its surrounding architecture. The objects that are placed together have a narrative that they need to perform.
Jan Verwoert says “As these criteria are applied to sculpture, it becomes a vehicle, through which concepts of ‘relationality’ taken from performance or installation art, can be reformulated.” (more…)
Categories: Seminars